Domburton: Desember 2013

Minggu, 29 Desember 2013

[A789.Ebook] Download Ebook Vietnam Vignettes: Tales of an Infantryman, by Lee Basnar

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A seasoned journalist who rose through the ranks presents an infantry company commander's insight into his soldiers' daily struggle to survive. His vivid prose explains why his brave "grunts" are still haunted by the experience and lack of public respect.

Sales Rank: #4013854 in Books
Published on: 2004-05-28
Original language: English
Number of items: 1
Dimensions: 8.50" h x .42" w x 5.51" l, .53 pounds
Binding: Paperback
184 pages

Review
"...this book is the best description that I have ever read of what an infantryman experienced day and night." -- LTC Cecil Carlile, U.S. Army (Retired)

"Hell of a read for anyone wanting to know the Grunts' heroic story from the Vietnam War." -- LTG Hank Emerson, U.S. Army (Retired)

From the Publisher
A seasoned journalist who rose through the ranks presents an infantry company commander’s insight into his soldiers’ daily struggles to survive. His vivid prose explains why his brave "grunts" are still haunted by the experience and lack of public respect.

From the Author
This book describes what it was like to be an infantryman fighting on Vietnam's coastal plain and in the jungles in the area known as II Corps and I Corps. The years described include 1967-1968 and 1970-1971. Those are the years I served in that war, and the men whose actions I describe are either South Vietnamese soldiers whom I advised during my first tour, or American soldiers whom I led during my second tour.

These are my memories of the beauty and the ugliness of South Vietnam, of the monsoons, the odors, the rattle of machine guns, the tracers lashing the darkness, the misery and the humor, and the tough life of an infantryman in Charlie Company.

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6 of 6 people found the following review helpful.
I was with him
By Gale Rauschenberger
As one of the men who followed Lee Basnar in Charlie Company as an infantryman, I can attest to the accuracy of Lee's book. The book is right on the mark in its telling of Charlie Company's battles, time in the field near Landing Zone Stinson, and its trials under fire in a war that was one of the nations most unpopular. You will feel Basnar's emotion as you read the book and you will find it hard to put down. You will rage at the decisions of higher ranking commanders who tried to mico manage Basnar's battle field from a helicopter at 2,000 ft. until they realized that Basnar didn't need them.
Basnar brings back, in vivid detail, the company's encounters with the enemy and his reaction to those encounters as Charlie Company's commander.
From the jungles of the high ground and Tra Bong river, Basnar takes his readers through the dangerous missions he led and personally fought in. You will visit infamous places like the rocket pocket, the jungled mountain ridges west of Chu Lia, near the Laos border, and the lowland area known by the troops as Dodge City, a place where Lee earned his nick name, "The Marshal of Dodge City. " It was a terrible area for American troops, near Mia Lia 1,2 and 3, where the hedge rows were full of booby traps and the snipers were everywhere. But Basnar earned his reputation by dealing efficiently in that environment. Our Kit Carson scout, Kim, an X-Viet Cong who came over to our side, once told me in broken English, as we set up our camp , "They know who Basnar is. They are afraid of him. He is smart." "They" were the Viet Cong. Kim had many relatives on the other side. He often communicated with females in his family who kept him posted on his other relatives, a very dangerous group of men, who like Kim, had been fighting for over a dozen years. You don't earn the respect of men like that unless you are good at what you do, very good.
When you read Basnar's prose, you will realize it is the prose of a professional infantryman, a man that deserves the Combat Infantrymen's Badge as much as any man. He knew his job and you will understand just how well he knew it after reading the book. He was a smart, straight shooting commanding officer who expected as much of himself as he did from us.
I was reminded by reading the book how he turned our demoralized company around, and, after the change, how proud I was to serve under him as a young point man and later as a squad leader. If you read the book, you will see why the black scarfed men of Charlie Co. 1/52nd Infantry Battalion would have followed Basnar anywhere. They new he cared about them as well as the mission, and that made all the difference because it made him one of us. Even today, as our hair greys and our memories of many things fade. The memory of Basnar is still strong in our minds.

4 of 4 people found the following review helpful.
Women can understand this soldier
By B. Short
In Vietnam Vignettes, Lee Basnar paints War with broad strokes, a War that could have occurred over a hundred years ago in our own South, or today in the MidEast. The horrors, fear and anxiety remain the same. Loneliness, wet feet, wounded friends, heavy packs, cookies from home. Scenes we all have experienced second-hand in movies and books.
Yet across those broad strokes, Basnar paints finely detailed vignettes we have not seen, portraits of many moods. Facing the hatred in the eyes of a widow holding the bullet-riddled body of her husband as she contemplates grim life without him, and murmuring a heartfelt, "I'm sorry". Reading the message from a bounding deer that stopped and peered over her shoulder, a danger alert which allowed him to kill the skilled enemy who had been booby-trapping his men. Tapping his boot to dislodge any intruders, yet finding a new ant colony when he plunged his foot in, resulting in a one-legged dance his men found hilarious.
From those portraits we conjure up the soul of a man who is not only a citizen of the world, accepting the best and the worst humans have to offer, but the spirit of a man who is part of the universe around him. Basnar allows us into the mind of a man that every woman wants to protect her, and maybe love her. But she will settle for having him lead her sons through safely and send them home.

7 of 7 people found the following review helpful.
Excellent!
By Kathy
I loved this book. It's short, fast-paced, and it really grabbed me. It is neither pro- nor anti-war, does not idealize war, and does not demonize the Viet Cong. It just tells it like it was. It shows you the action or the pathos or the humor, letting it hit you the way it hit the author at the time. I recommend it to everyone who wants to know what it was like to participate in the Vietnam War. As a female college student without any friends or relatives fighting in the war, I didn't read a lot about the war when it was happening. Of course, I saw the unsettling pictures of the fighting in magazines and on the TV news, and I attended many war "teach-ins" and discussions on campus. But it wasn't until reading this book that I really understood what the soldiers experienced over there. Everyone should read it. I'll be sending copies of it as Christmas gifts this year.

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Senin, 23 Desember 2013

[T845.Ebook] Get Free Ebook Financial Markets and Institutions, by Jeff Madura

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Sales Rank: #1208622 in Books
Published on: 2017-01-01
Original language: English
Dimensions: 10.25" h x 8.25" w x 1.25" l, .0 pounds
Binding: Hardcover
766 pages

About the Author
Jeff Madura is Emeritus Professor of Finance at Florida Atlantic University. The recipient of multiple awards for excellence in teaching and research, Dr Madura has written several successful finance textbooks. His research on financial markets and institutions has been published in numerous journals, including Journal of Financial and Quantitative Analysis; Journal of Money, Credit and Banking; Financial Management; Journal of Financial Research; and Financial Review. Dr Madura has served as a consultant for international banks, securities firms and other multinational corporations. In addition, he is a former director of the Eastern Finance Association and a former director and president of the Southern Finance Association. He earned his BS and MA from Northern Illinois University and his DBA from Florida State University.

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Minggu, 22 Desember 2013

[K651.Ebook] Download PDF The Rock-N-Roll Singer's Survival Manual Paperback December 1, 1990From hal leonard (december 1, 1990)

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Published on: 1605
Binding: Paperback

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Minggu, 15 Desember 2013

[A722.Ebook] PDF Download Physiology of Non-Excitable Cells: Proceedings of the 28th International Congress of Physiological Sciences, Budapest, 1980: Physiology of

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Advances in Physiological Sciences, Volume 3: Physiology of Non-Excitable Cells is a collection of papers presented at the 28th International Congress of Physiology, held in Budapest on July 13-19, 1980. This book is organized into five parts encompassing 36 chapters that cover the various physiological aspects of non-excitable cells and neuronal membranes.

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Sales Rank: #3838864 in eBooks
Published on: 2013-10-22
Released on: 2013-10-22
Format: Kindle eBook

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Jumat, 13 Desember 2013

[F661.Ebook] Download PDF The Second Ring of Power, by Carlos Castaneda

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Published on: 1979
Binding: Hardcover

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0 of 0 people found the following review helpful.
Another great Castaneda book
By Sci-Fi Lover
One of my favorite in the series.

0 of 0 people found the following review helpful.
Five Stars
By Hook Erl
happy

4 of 4 people found the following review helpful.
The art of Dreaming & the 2nd attention
By Dragan
July 2014: Since writing many book reviews of the past, this current review inclusive, much has changed, as I have discovered much. I have come to see and have had exposed many of the deceptions and errors associated with Gnosticism, this even after becoming a Gnostic priest. My faith in Jesus Christ has been my anchor and I press on with him who shed his blood for me. I am tempted to delete many of my reviews, as I have already done; time will tell.

This is the 5th book in the Carlos Castaneda series. One could read this book without having read the other books, but this would not be advisable. Here, Carlos returns to the deserts of Mexico in Search of Don Juan and meaning as to the events of the last book `Tales of Power'. The Nagual's, Don Juan and Don Genaro are not to be found. As is stated from the `editor's review', the first few chapters of this book deal with Carlos interacting with the sorceress Dona Soledad. Carlos's teachings continue not under the direction of these Nagual's, but with instruction left to the other disciples for Carlos Castaneda to work through. The interaction with these other disciples gives us a clearer understanding in the workings of Carlos Castaneda and Don Genaro.

This book presents us with `The art of dreaming' and `second attention'. Attention of Tonal "The capacity of average people to perceive and place their awareness on the ordinary world of everyday life. The first ring of power is our "awesome, but take-for-granted ability to impact order to our perception of our daily world." "The second domain (2nd ring of Power) was the attention of the Nagual; that is to say, the capacity of the sorcerer to place their awareness on the non-ordinary world". "Don Juan had said that our "first ring of power" is engaged very early in our lives and that we live under the impression that that is all there is to us. Our "Second ring of Power," the "attention of the Nagual," remains hidden for the immense majority of us, and only at the moment of our death is it revealed to us. There is a pathway to reach it, however, which is available to every one of us, but which only sorcerers take, and that pathway is through dreaming." "Dreaming" was in essence the transformation of ordinary dreams into affairs involving volition. Dreamers, by engaging their "attention of the Nagual" and focusing it on the items and events of their ordinary dreams, change those dreams into dreaming". Pg 278.

"First Attention, where we experience the Tonal, or the Second Attention where we experience the Nagual. To Castaneda the Tonal is often associated with the masculine aspect of the universe and the Nagual to the feminine. The Tonal can roughly be linked to the concept of Ego and the conscious mind." Wikipedia (Nagual Castaneda).

Carlos gives us the example of a table in the desert. The realm of the tonal deals with the objects placed upon the table. The 2nd ring of power of the Nagual, deals with standing back and becoming aware of all that goes beyond the table that is situated in a vast desert.

"The Nagual told me that human beings are frail creatures composed of many layers of luminosity. When you see them, they seem to have fibres, but those fibres are really layers, like an onion. Jolts of any kind separate those layers and can cause human beings to die" pg 290

"Sorcerers have to do their best to keep their own layers closed. That's why the Nagual taught us dreaming. Dreaming tightens the layers. When sorceress learn dreaming they tie together their tow attentions and there is no more need for that centre to push out". Do you mean that sorcerers do not die?" "That's right. Sorcerers do not die." Pg 291.

Carlos teaches us to access the second intention we should learn the art of gazing. For Carlos, Don Juan had taught to look into the distance without focusing onto specifics. In this book however we find that Don Juan has taught his other disciples the opposite depending upon the individual in question. Interesting to note here, for those that think that they can do the esoteric work themselves; having a master to guide us can pinpoint and expedite our progress depending upon our makeup, our personality etc. To one was given the task of gazing at a leaf (pg 294), a plant, a tree or rock; to another a fog or the rain (pg 297). "One could also gaze at water (still or running), smoke, fire or even a hung piece of cloth (pg 303).

"The difficulty in gazing is to learn to quiet down the thoughts. The Nagual said that he preferred to teach us how to do that with a pile of leaves because we could get all the leaves we needed any time we wanted to gaze. But anything else would do the same job. Once you stop the world you are a gazer. And since the only way of stopping the world was by trying, the Nagual made all of us gaze at leaves for years and years. I think it's the best way to reach our second attention. He combined gazing at dry leaves and looking for our hands in dreaming...The Nagual said that once you have trapped your second attention with dry leaves, you do gazing and dreaming to enlarge it. And that's all there is to gazing...The Nagual said that all we needed to do in order to trap our second attention was to try and try. All of us stopped the world by gazing at dry leaves." pg 295.

"The mad reign of King Monkey Mind can be overthrown by shifting the focus towards the second attention. The second attention can be cultivated by relaxing the search for meaning. This can be experienced by relaxing the tendency to project and/or assume meaning onto whatever is perceived, in lieu of direct perception of the phenomena. This can also occur by dropping labels through an agreement to experience the world without naming what you are experiencing. Infants and very young children see this way most of the time. This begins a process of flexing a perceptual muscle that was at one time active and vital before it weakened and/or atrophied." (Paratheatrical dot com)

"How do you learn?" "In my dreaming. Dreamers must gaze in order to do dreaming and then they must look for their dreams in their gazing. For example, the Nagual made me gaze at the shadows of rocks, and then in my dreaming I found out that those shadows had light, so I looked for the light in the shadows form then on until I found it. Gazing and dreaming go together". Pg 308. Selah.

Having read this book one is still left wondering what has happened to these two Nagual's that gone to another dimension. Guess I'll have to read the 6th book in the Carlos Castaneda series - `The eagle's gift'.

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Senin, 09 Desember 2013

[G538.Ebook] Free PDF Statistics, by William L. Hays

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Statistics, by William L. Hays

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Sales Rank: #4311035 in Books
Published on: 1963-01-01
Number of items: 1
Binding: Hardcover

Most helpful customer reviews

21 of 24 people found the following review helpful.
Useful as a reference, not as a book to learn from
By Words Dance Before my Eyes in a Meaningless Procession
I agree with Van Denburg's evaluation.
I am a graduate student in Psychology, and I find the Hays text mostly illegible. His prose is dense and his explanations rely very heavily on mathematical formulae instead of real-world or logical/verbal descriptions. Furthermore, he falls into the typical "math textbook" pit of giving solutions to only the example problems that are exceptions to what one would usually encounter.
This is especially bad considering that my concentration specializes in statistical inference, and I've studied mathematics through differential equations (including linear algebra, multivariate).
Worse, Hays has a tendency to use different symbols to represent variables compared to other statistical texts (and in some cases, the rest of the world!)
Lastly, the tables that Hays has in the back of his book are not notated. He does not explain what each table represents, or what the x or y axis are. In one case, he has two entries for each lookup in the ANOVA Power of Association (omega squared) (Table XII, page 1032). Nowhere in the table does it mention what these two values are for.
It is only in one paragraph 600 pages earlier, that he explains that the two values are for alpha=0.05 and 0.01 and that n must be equal for both groups!! (page 410)
I am currently relying on several other texts to understand statistics for the social/behaviourial sciences. If you are extremely comfortable with mathematics to describe your behaviourial tests, you may find this book valuable. If you prefer a more descriptive approach, I suggest another one.

16 of 18 people found the following review helpful.
Invaluable reference; Not for pleasure reading
By N. Schweitzer
Hays's text is not meant for everyone; hence the mixed reviews. It was not the primary source from which I gained my knowledge of statistics; however it serves as an invaluable reference. Unlike some of the other reviewers, I had little difficulty understanding the material as Hays presented it. Some of the criticisms are points well-taken; for example a lack of annotation in the power tables at the end of the book (which are still decipherable if you know what you're looking at).
This text is for the mathematically inclined-it is not a "how-to" book, rather a "why" book that thoroughly explains the theory behind a variety of popular inferential techniques. If this is the sort of knowledge you are seeking, Hays is the book for you. If you are interested in a more "common-sense" or applied approach, perhaps you should look elsewhere.

12 of 13 people found the following review helpful.
Masterpiece
By Daniel J. Denis
This text is a true CLASSIC in the field of statistics. It is unique, extremely well-written, and a book you will return to time after time if you are serious about learning and understanding statistics. Hays' unique style is such that in his explanations, he takes you a step back, then two steps forward. While it can be said that some writers on statistics don't really understand the subject themselves (which makes it almost impossible to learn from them), this is definitely not the case with Hays's text. Hays' grasp of statistics is unmatched.

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Jumat, 06 Desember 2013

[E626.Ebook] Download PDF The Rules: Time-Tested Secrets for Capturing the Heart of Mr. Right, by Ellen Fein, Sherrie Schneider

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Following the success of the New York Times bestseller How to Marry the Man of Your Choice, The Rules is a blunt, effective, controversial, funny, and definitive guide to marrying the man of your dreams. The Rules will be featured on an Oprah show, set to air close to Valentine's Day.

Sales Rank: #1780598 in Books
Published on: 1997-02
Original language: English
Number of items: 1
Dimensions: 8.00" h x 5.25" w x .75" l,
Binding: Hardcover
192 pages

Amazon.com Review
An unexpected bestseller, this self-help book for women who want to hook a man seems to have struck a chord with desperate American women. Fein and Schneider, whose main credentials seem to be that they are married, lay out the rules to be followed for successfully snagging a dream hunk. And these rules are hard as cast-iron--Rule Five: Don't Call Him and Rarely Return His Calls. The idea is to return to pre-feminist mind games, exploiting the male hunting urge by playing hard to get. The result seems unliberating--Rule Seventeen: Let Him Take the Lead--but it seems to be capturing female minds. Rules Girls are eyeing the phone with steely resolve, and Rules seminars are springing up nationwide. Curious bachelors have been observed studying The Rules, some frowning, others with the supercilious smile of the hunter.

Review
The Rules is not just a book; it's a movement. -- Time, Elizabeth Gleick

About the Author
Ellen Fein is a graduate of New York University and lives on Long Island, New York, with her husband and two children. Ever since she and Sherrie Schneider began weekly meetings in a Chinese restaurant years ago, lamenting their dating woes and discussing their friends' relationships, the two have been formulating and formatting their rules for dating that have now become so popular. They have come a long way, having been featured on" Dateline NBC "and the "Today" show, chronicled in "People, Time, Newsweek, The New York Times, The Los Angeles Times, The Washington Post", and "USA TODAY "and even spoofed in a skit on "Saturday Night Live. "Since the success of the first book, there have been several spin-offs, adaptations, and parodies of "The Rules, "written by other authors, but none have garnered the attention of the original.

Ellen Fein is a graduate of New York University and lives on Long Island, New York, with her husband and two children. Ever since she and Sherrie Schneider began weekly meetings in a Chinese restaurant years ago, lamenting their dating woes and discussing their friends' relationships, the two have been formulating and formatting their rules for dating that have now become so popular. They have come a long way, having been featured on" Dateline NBC "and the "Today" show, chronicled in "People, Time, Newsweek, The New York Times, The Los Angeles Times, The Washington Post", and "USA TODAY "and even spoofed in a skit on "Saturday Night Live. "Since the success of the first book, there have been several spin-offs, adaptations, and parodies of "The Rules, "written by other authors, but none have garnered the attention of the original.

Most helpful customer reviews

2 of 2 people found the following review helpful.
It's a rule book, not the Declaration
By Lune Pur
I've read a lot about this book being anti-feminist and there are lots of perfectly "logical" arguments out there about it, but here is my two cents:

First off, when you read a book you should take what you like and leave the rest. Think for yourself.

That said, this book does a great job at what it promises: providing direction for a more successful love life. A few women made the following comment: "If the book is so great, why are there still single people?" Aside from some of the obvious answers which render this question so absolutely STUPID, I think it's a good idea to remember that love and romance are very tricky, elusive subjects and we will never have them completely fleshed out. Times change, people change. But there are some concepts that really run deep (such as men, no matter how shy, being a "certain" way, which has produced a societal structure which we are finally attempting to fix but will probably take a long time to), and I think "The Rules" (as well as other fabulous books that I highly recommend, like Kara King's "Power of the Pussy" and Sherry Argov's "Why Men Love Bitches") really connects with this notion. Until men and women are truly equal in all aspects (not just "profession" while in their love lives men still treat woman in a weird conquest-y way), it is wise to accept that they're a different animal and beat them at their own game rather than naively try to play the game that's only in your own head.

I love that this book offers a simple, feminine (I say feminine because I do think that mystery and wonder, while accessible to every individual, are qualities that inherently have a sort of feminine energy) mindset. I love that it feels like I'm in a school all about the game of love. I love the idea that there are unspoken rules out there. When I have a million things on my mind and I'm trying to enjoy myself with my favorite guy, I like to have a comfortable position to fall into. I think The Rules encourages all the wonderful experiences that being in love and dating have to offer -- they just make the road much less bumpy.

If you read, learn; but enjoy yourself. That's what it's all about.
Cheers!

0 of 0 people found the following review helpful.
A Way to Meet the Wrong Man and Have an Unhappy Marriage
By Keith Sargent
I consider myself a nice man and wondered why I'm not having much luck in the dating game. I read THE RULES and now understand why. When women treat me the way THE RULES suggest, I don't want to date them anymore.

The best relationships start off as friendships and the happiest marriages are those where you consider your partner your best friend. But when women treat me with Rule #5: "Don't call him and rarely return his calls," I'm not interested in even being friends, because friends don't treat each other that way.

Since I cannot read a woman's mind, I assume that not returning my phone calls is a signal she's not interested in me. As the authors state on p.6, THE RULES are to teach women how to play hard to get. But playing hard to get means that women will attract men who don't take "no" for an answer. "No" means "try harder." Is this the kind of man an intelligent women wants to attract? More likely it leads to misunderstandings, sexual harassment, and date rape.

THE REAL RULES by Barbara De Angelis, Ph.D. are what I hope women will pay attention to. Rule #1: "Treat men the way you want them to treat you." It seems so obvious, but goes against everything in THE RULES. Rule #5: "Be yourself." Again, this is the opposite of THE RULES which tell you to pretend to be someone you're not so you can attract Mr. Right. But if Mr. Right falls in love with the person you pretend to be, how will he feel when he discovers you are not that person? He will feel tricked and angry because you lied to him and were playing games.

THE RULES is a book written to teach women how to lie, how to play games, and how to manipulate men. I'm not interested in women like that, and the men those women do catch are probably stupid Neanderthals. If those are the kind of men women want, then they should buy this book and follow THE RULES carefully.

10 of 10 people found the following review helpful.
Saved My Life !!!!
By A Customer
I am really thankful to the authors for bringing both Rules I and Rules II. I read these books at a time in my life when I was at my lowest. I was desperately clinging onto a man who did not love me back. I was hurt and my self-esteem was at an all-time low.
When I first picked up the book in the library, I thought it was so stupid and shallow. But I decided to go ahead and read it anyway. All of a sudden everything started falling in place. I saw everything I did wrong when I was with the man I thought I loved. Eventually the relationship soured because of my neediness. All I can tell you is that the Rules helped me to gracefully let go of him. I got my self-esteem back and am beginning to love myself in ways I never thought possible. There is still a lot of learning and growing to do but I know I am in the right direction.
Although I am not in the relationship anymore, when I am in contact with my ex, he wonders about my change. He is surprised at how different I am now. All of a sudden, I also noticed that he now talks to me with respect and wonder. I think he can't believe that I let go of him without a fuss. I still care for him but I no longer feel obligated to do anything about it. If he really wants me, he has to make the moves again. As for me, I am content finally. If there is someone in my life, that will be great. If not I am just learning to love myself more and more everyday.
THANK YOU ELLEN FEIN AND SHERRIE.S !!!

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Kamis, 05 Desember 2013

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rsonnes âgées ou celles dont les forces déclinent. · Nouveaux chapi
tres sur l'évaluation manuelle de la force musculaire : quand l'utilis
er, sa validité, sa sensibilité, sa fiabilité mais aussi ses limites.
On aborde également de nouvelles formes de l'évaluation musculaire, da
ns de nombreux champs cliniques ainsi que des techniques alternatives
à l'évaluation musculaire. · Des schémas accompagnés de flèches dir
ectionnelles rendent facile à comprendre et à reproduire la pratique d
e l'évaluation manuelle de la force musculaire, de façon à permettre a
u lecteur de mettre en évidence les insuffisances de force, d'équilibr
e et d'amplitudes. · Plus de 600 schémas montrent clairement les di
fférentes séquences des tests d'évaluation, l'anatomie et l'innervatio
n des muscles. · Des détails sur l'anatomie et l'innervation des mu
scles aident à faire les liens entre la topographie et la fonction. ·
Des conseils et des éventuelles compensations sous forme d'encadrés
fournissent des informations supplémentaires et mettent en évidence le
s compensations et substitutions musculaires qui peuvent se produire a
u long d'une évaluation de façon à assurer une plus grande précision à
tous les tests. Chaque muscle est identifié par un numéro tout au lo
ng de l'ouvrage et ce numéro est indexé dans la liste alphabétique des
muscles dans le chapitre Guide des références anatomiques. Cela perme
t une rapide identification croisée et aide le lecteur à repérer chaqu
e muscle.

Published on: 2015-08-15
Original language: French
Dimensions: 10.87" h x .98" w x 8.46" l,
Binding: Paperback

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Senin, 02 Desember 2013

[O207.Ebook] Download How to Stop Acting, by Harold Guskin

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"The Great Guskin" (John Lahr, The New Yorker) shares the approach he uses to help actors land roles, develop them, and keep them alive

Harold Guskin is an "acting doctor" whose clients include Kevin Kline, Glenn Close, James Gandolfini, Bridget Fonda, and dozens more. In How to Stop Acting, Guskin reveals the insights and techniques that have worked wonders for beginners as well as stars. Instead of yet another "method," Guskin offers a strategy based on a radically simple and refreshing idea: that the actor's work is not to "create a character" but rather to be continually, personally responsive to the text, wherever his impulse takes him, from first read-through to final performance. From this credo derives an entirely new perspective on auditioning and the challenge of developing a role and keeping it fresh, even over hundreds of performances. Drawing on examples from his clients' work and his own, Guskin presents acting as a constantly evolving exploration rather than as a progression toward a fixed goal. He also offers sound and original advice on adapting to the particular demands of television and film, playing difficult emotional scenes, tackling the Shakespearean and other great roles, and more. His book will find an eager and appreciative audience among novices and established actors alike.

Sales Rank: #57892 in Books
Brand: Guskin, Harold
Published on: 2003-06-25
Released on: 2003-06-25
Original language: English
Number of items: 1
Dimensions: 8.14" h x .62" w x 6.14" l, .43 pounds
Binding: Paperback
208 pages

Features

Used Book in Good Condition

From Publishers Weekly
No, this isn't a guide to helping introverts learn how to loosen up and be themselves. Rather, it's a new perspective on auditioning for theater. "Acting doctor" Guskin, who's worked with Kline, Glenn Close, James Gandolfini, Steve Martin and others, explains his strategy, which, at its core, states that actors do not have a responsibility to create characters, but to be continually responsive to their lines, wherever their inclinations take them. It's an honest, non-gimmicky take on a perennial problem. With specific anecdotes (e.g., "Peter Fonda came to me in 1993, he wanted to rethink his acting") and concrete advice (e.g. "take it slow" and "let the script guide the research"), Guskin covers various acting scenarios, from the stage (including Shakespeare) to film and television. He imparts much wisdom, yet counsels, "discover what makes you tick as an actor. Use what works and discard whatever gets in the way, no matter how sound the concept."
Copyright 2003 Reed Business Information, Inc.

Review

“Ask an actor who the coach of the moment is and no matter whose name comes up as well, Guskin's is mentioned three times out of four.” ―The Village Voice

“Reading through these pages, I realize not only how much I learned from Harold, but also how safe he made me feel. The courage to take the risks that pushes us into new discoveries-new emotional territory-does not come without trust. Harold created a place filled with a trust that ultimately freed me to find my wings . . . one role at a time. This book will be invaluable for anyone passionate about learning the craft of acting and for those of us who need to be reminded of the basics of the craft we have dedicated our lives to.” ―Glenn Close

“Many actors, newcomers and veterans alike, often wonder why it's so difficult to be as real, natural, and emotionally charged on stage or in front of the camera as we are in our daily lives. Harold Guskin explains how, by habit and misconception, we tend to undermine our potential. How to Stop Acting is a clear and concise actor's guide to living the truth in our work.” ―Christopher Reeve

“Harold gives a very sane point of view to a very insane business and a very insane craft. Sometimes, when I read a script, I'm tempted to put on seven different wigs and change everything and do all this stuff-like knock my head against the wall twenty times before I know what I'm doing. Then I'll come to Harold, and I'll realize it's a lot simpler than that.” ―James Gandolfini

About the Author

Harold Guskin has worked with dozens of stage and screen actors and is himself an actor and director. He lives in New York City with his wife, the playwright and screenwriter Sandra Jennings.

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33 of 34 people found the following review helpful.
Best book on acting I've ever read!
By squidpool
I've read Strasberg, Adler, Meisner, Suzuki, Morris, Mamet, Chekov and several other acting books by lesser-known authors. Without question, Guskin's book is the best, most immediately usable method I have ever encountered. Guskin gives so many useful exercises to undertake his innovative approach along with a great deal of advice for solving a myriad of problems and issues actors face.

When I began reading Guskin's book I was intrigued but skeptical. The approach seemed like it just might be extraordinary, but I had questions as to whether it would work within certain contexts I faced as an actor. For example, what do I do when I'm in the middle of an audition and I freeze and nothing is coming to me? What good is Guskin's approach then? Much to my delight, Guskin addresses this question in a thorough and satisfying way. In fact, Guskin answered all of my practical acting questions and gives simple, usable solutions which all fall within the context of his unique acting approach.

Just like any acting approach, ultimate success comes with undertaking his advice and practicing, practicing, practicing his approach. Do this and you will reap great rewards.

My one slight reservation, which doesn't diminish the power of the book, is that casting directors for film and television often want you to come into an auditon situation with a 'final performance' for the audition. They do not want you to 'play' or 'discover' various versions of your performance during your audition. Casting directors for film and TV want you to give them the character as it is stated in the written character breakdown that they give you. Yes, this 'final performance' too, can be accomplished using Guskin's technique, but one needs to go into such audition situations very well-rehearsed beforehand.

Indeed, Guskin is correct in asserting that this very preconceived notion of character required by film and TV casting directors is far less prevalent in the theater and in theater auditions. This is not a caveat, just some additional info.

Truly the finest, most simple, practical and usable acting book I've ever read.

13 of 14 people found the following review helpful.
Just Get Real!
By Beth B
Harold Guskin's approach is brilliant in its simplicity. He takes you away from "techniques" and back to the reality of being in the moment. When I practice his approach I'm able to truly listen and dialogue with the other actors on a deeper level, and to respond to their words and mine from an internally, gut-motivated, truly living and experiencing in the moment place. From the stage or the audience the result is more exciting, more alive, and much more meaningful. I never have to try to memorize lines when I work from this angle either. The words take on a life of their own and take up residence, flowing freely when the time comes. The result is a fresher and more alive characterization too -- not "overstudied". Mr. Guskin's approach is refreshing. I urge every actor to buy this book, get real, and stop acting.

17 of 19 people found the following review helpful.
Even a beginner can benefit from this book.
By Andrew B. Hurvitz
After taking an acting class for the past two months, I have had various highs and lows both on stage and off. This book prepares you to accept those accidents of creativity and freedom that make good acting. The author is not exponent of any particular school of thought or ideology. Rather he uses his real world experience as an acting coach to such players as Kevin Kline, Matt Dillon, Bridget Fonda, Glenn Close and many others to show how vulnerability and "taking words off the page" rather than memorizing them will contribute to unexpected and startling performances.
His advice for conquering fear, relaxing and "going with the flow" is unconventional, but delightfully intelligent. The author speaks out on auditions, being on stage, and his biggest push is for actors to "be themselves" and let the words in the script speak for themselves. To stop acting, is to start being real, to finding the truth--and if I sound like I'm spouting gibberish, I assure that his writing is clear, concise, logical and well reasoned--and will lead to a deeper and more thoughtful understanding of acting.

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Minggu, 01 Desember 2013

[D665.Ebook] Download Harry Houdini, by Vicki Cobb

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FOR USE IN SCHOOLS AND LIBRARIES ONLY. Full-color photographs of people, places, and artifacts add dimension and relevance to stories of famous lives, creating a unique reading experience about people youngsters should know.

Sales Rank: #12239265 in Books
Published on: 2009-04-09
Original language: English
Number of items: 1
Binding: Library Binding
128 pages

About the Author
Vicki Cobb is the author of many award-winning science books for young people. With degrees from Barnard College and Columbia University Teachers College, Vicki enjoyed an early career as a science teacher. She now devotes all her time to writing and speaking to teachers, children, and librarians all over the country. She frequently writes for the Huffington Post and is also the founder and president of iNK Think Tank, an organization dedicated to getting high-quality nonfiction books into classrooms. To find out what recent science experiment Vicki has been cooking up, visit her online at www.vickicobb.com.

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22 of 24 people found the following review helpful.
The life of Harry Houdini, the world famous "master mystifier"
By Lawrance Bernabo
This DK Biography of Harry Houdini is described as "A photographic story of a life," but I can tell you up front that it is not a collection of photographs with captions but an illustrated biography that is comparable to other volumes put out by this company. That means you will find over 100 photographs, artwork and artifacts, including photograph of his famous escapes, posters from throughout his career, and a look at things like his collection of handcuffs. For somebody like me who knows most of what they know about Houdini from the movie with Tony Curtis and Janet Leigh (and whatever television documentaries I might stumble across from time to time), this book is quite educational. Vicki Cobb tells about the life of Harry Houdini so it reads like an American success story. Born Ehrich Weiss, the kid who will become Harry Houdini leaves home at the age of 12, gets bored working in a factory, and starts practicing coin trips in his spare time. Eventually the son of poor immigrants would be selling out the theaters of Europe as the greatest magician and escape artist in the world.

To set the stage for Houdini's life, Cobb begins with a prologue, "Failure Means a Drowning Death," that talks about his performance in St. Louis, Missouri, on January 27, 1908. Having escaped from the local police station the day before, Houdini performs his "Death-Defying Mystery: Escape from a galvanized iron can filled with water and secured by massive locks." By the time you get to the part where you wonder how he did it, Cobb has you interested in how Houdini became the greatest magician of all time. Then we get to the fact of his life, with the early chapter devoted to how the Weiss family came to America, what Show Business was like in the 1890s when Weiss got started, and how the young Houdini learned his trade as a magician and taking his name from Jean Eugene Robert-Houdin, his hero.

Cobb pays attention to how Houdini developed his career and you should pay attention to all of the posters that document his career: they start off with lots of text and hyperbole, but by the time he becomes famous as the "master mystifier" basically he just needed "HOUDINI" in large print. So Houdini goes from "Dime Museum Harry," to "The King of Handcuffs" and then the "Self-Liberator" who conquered Europe at the end of the century. Cobb highlights a quotation from Houdini: "The whole secret is getting the first hand free; after that it is all plain sailing." The glory days of Houdini cover him as a great self-promoter, but also pay attention to his family and his work as a scholar and author in the field of magic.

The final chapters looked at how Houdini started taking risks to come up with bigger thrills for his audiences by doing dangerous things like jumping into rivers and flying an airplane. This goes hand in hand with his great creativity (we get to the Water Torture Cell from the end of the movie "Houdini" at this point). The last stage of Houdini's career deals with not only his death defying feats, but also his debunking of mediums ("The Dead Don't Talk"), which became part of his legacy when he died on Halloween in 1926 from a ruptured appendix. Houdini had told his wife that if it were possible to speak to her from beyond the grave, he would do so, and for ten years his widow Bess attended seances on Halloween to hear the code they had agreed on as proof she was hearing from him. But it never came.

If you want to know how Houdini did it, then you will be happy to know several of his best-known tricks are explained (but not all of them) in this informative biography. Cobb emphasizes Houdini's showmanship as well as his creativity in being important to the act so young readers can better appreciate the career of somebody they will never see perform. The back of the book has a two-page timeline of key events in Houdini's life, a Bibliography of more than a dozen books, a Works Cited list, and six Webs ties that will provide more information about Houdini as well as a trio of documentaries about the master mystifier (he felt he was more than a magician and therefore favored this appellation).

3 of 3 people found the following review helpful.
Magic
By Jessica Currier
I bought this book for my son's book report. He loved it. He liked learning about Harry Houdini and his tricks. He even gave it my younger son so they could talk about the neat things he could do.

1 of 1 people found the following review helpful.
Harry Houdini the most famous magician in the world is profiled in another excellent DK Company biography for young readers
By C. M Mills
Harry Houdini was born on March 24, 1874 in Budapest Hungary to Samuel and his second wife Cecilia. Samuel was a rabbi who immigrated to America. Harry and his many brothers were raised in Appleton, Wisconsin where his father served for a short time as the rabbi of a Hebrew congregation. The family was poor but the children were loved and bright. One of Harry's brothers Leo became a doctor while another brother became a magician who learned tricks from Harry. Houdini's real name was Ehrich Weiss. The budding young magician changed his name to honor his memory of the great French magician Houdon.
Harry had little schooling but enjoyed study and learning all he could about becoming a magician. Houdini soon hit the dime theatre and vaudeville circuits. He met his wife Bess, who was a Roman Catholic, at Coney Island. Bess was a great wife who assisted Harry in his stage act. The couple were childless.
Houdini was a self promoter who always contacted the local press and police to witness his legendary escapes. He was often placed nude in a jail cell to emerge as a free minutes after he had been handcuffed and locked up! Houdin was an expert on locks, handcuffs and keys to enable him to escape. He traveled and lived in Europe starring in big shows in London, Paris, Rome and even in Russia.
Houdini was a good friend of Sir Arthur Conan Doyle. Their friendship was frayed when Houdini exposed charlatans conducting seances approved of by the creator of the Sherlock Holmes tales. Houdini demanded honesty in his professional deals never smoking or drinking. Though short he was a superbly muscled athlete.
Houdini starred in a few Hollywood films and continued to perform throughout most of his life. He died in 1926 due to a ruptured appendix. Houdini had a vast collection of magic books and knew thousands of tricks of his mysterious trade.
Vicki Cobb has written a fine book for young adults and teens as part of the DK Biography series. The book is lavishly illustrated with a text which might be enjoyed by both young and old readers. Recommended!

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