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Still Night in L.A., by Aram Saroyan
Free PDF Still Night in L.A., by Aram Saroyan
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Michael Shepard, a detective with his own set of problems, is hired one morning by a fashionable young woman at her Hollywood apartment. Soon he’s embroiled in a murder investigation that may shed light on a nearly forgotten tragedy. A divorced father wondering how to set his son on a better course in life, the detective gets into deepening trouble as he negotiates a vivid panorama of the town’s modern-day beautiful and damned. Author Aram Saroyan harnesses the hardboiled styles of Chandler, Hammett, and Ross MacDonald into a contemporary tale of information age intrigue. The text is supplemented with cell phone photos taken by Saroyan in the same environs in which the story unfolds.
- Sales Rank: #107988 in Books
- Published on: 2015-10-13
- Original language: English
- Number of items: 1
- Dimensions: 7.90" h x .50" w x 5.20" l, .40 pounds
- Binding: Paperback
- 220 pages
Review
"A superbly crafted mystery from first page to last, this is a cliff-hanger of a read that will please any and all hard-boiled private eye enthusiasts." —Midwest Book Review
“Neo-noir . . . flexible enough to be a treatment for the big screen. . . The enclosed photographs also maintain the solemn mood.” —Manhattan Book Review
"Aram Saroyan has written a novella, Still Night in L.A., that moves one step further beyond the ambience of Raymond Chandler and the terseness of Raymond Carver. Best-known for his poetry, Saroyan has written a story so crisp and so cryptic that the words almost sparkle on the pages.” —Bookin' with Sunny
“Aram Saroyan nurses the accelerator in a deceptively laconic way, channeling the faultless ratiocination of Charles Willeford (Miami Blues) and Paul Cain (Seven Slayers). STILL NIGHT IN L.A. keeps still until, at just the right moment, he floors it. —Barry Gifford, author, Wild at Heart
“Readers of California-dream-correction fiction may have their particular favourites -- Day of the Locust, The Slide Area, I Should Have Stayed Home, My Face for the World To See, The Long Goodbye. Aram Saroyan’s STILL NIGHT IN L.A. brings long experience and practiced narrative craft to earn his place in this line.” —Tom Clark, author, The Exile of Celine
“STILL NIGHT is an edgy and urgent mystery in which the more that is left out, the more we are caught up in wonder. Therein lies the tension of the novel. The need to know and the author's smart dodge, leaking only what he wants known, one page at a time. Not surprisingly this is what all great detective novels do. ” —G. A. Hausman, author, The Mythology of Horses
“STILL NIGHT IN L.A. is a novel where the magic is all in the language, in the evocation of the detective’s incongruously sweet and gentle personality, and in his astoundingly accurate takes on a world where kids have a hard time growing up before they hit middle age, and where the hard thing is not to become a movie star but to get someone to remember your name.” —Gerald Nicosia, author, Home to War: The Untold Story of the Vietnam Veterans’ Movement
“Aram Saroyan’s STILL NIGHT IN L.A. cruises the mean streets and trendy brunch boites of Los Angeles, this city of angels and psychopaths. His shamus Michael Shepard is a Marlowe for our digital times.” —Richard Setlowe, author, The Haunting of Suzanna Blackwell
"Aram Saroyan’s Still Night in L.A. delivers on all platforms . . . Get out that gold statue, Edgar committee! The winner and new champion is . . . " —Kevin Killian, Spreadeagle
"A writer who looks deeply into himself and his own experience, confronts what he finds there with real courage and reports what he has experienced with a measure of candor that is both breathtaking and, at moments, heartbreaking."—Jonathan Kirsch, Los Angeles Times
"Here is a novel that pins down an era." —Bookpeople
"Will hold readers spellbound.” —Publishers Weekly
About the Author
Aram Saroyan is an internationally known poet, novelist, biographer, memoirist and playwright. His poetry has been widely anthologized and appears in many textbooks. Among the collections of his poetry are Aram Saroyan and Pages (both Random House). His largest collection, Day and Night: Bolinas Poems, was published by Black Sparrow Press in 1999. Saroyan's prose books include Genesis Angels: The Saga of Lew Welch and the Beat Generation; Last Rites, a book about the death of his father, the playwright and short story writer William Saroyan; Trio: Portrait of an Intimate Friendship; The Romantic, a novel that was a Los Angeles Times Book Review Critics' Choice selection; a memoir, Friends in the World: The Education of a Writer; and the true crime Literary Guild selection Rancho Mirage: An American Tragedy of Manners, Madness and Murder. He is featured in the documentary film One Quick Move or I’m Gone: Jack Kerouac at Big Sur and his comments appear in the oral biographies George Being George: George Plimpton’s Life and Salinger. He lives in Los Angeles with his wife, painter Gailyn Saroyan.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Forerunner and Adapter
By Zachary St.John Kopp
Aram Saroyan’s minimalist approach to verse caused an uproar in the 1960s with the publication of two poems by the author, one being an unconventionally spelled single word piece, entitled lighght, and the second, even shorter, being the letter “m” with four legs. Noted conservatives were extremely displeased, shouting “That’s not a poem!” or “That’s not even spelled correctly!” while others looked beyond the surface, saying things like, “{Saroyan] plays with the glimmering quality of light, leaving us with intimations of his single syllable of light's expanding, silently and weightlessly, 'gh' by 'gh', into . . . Final Illumination," or “the poem plays on formation of an alphabet, as if 'm' and 'n' are in the process of separating. It can also be understood as a pun on "I am”, implying the formation of consciousness itself.” Each side seemed to make a good case for its point and the argument never resolved.
n a sense, Mr. Saroyan may be seen as an early example, perhaps, indeed, the very first, of the trend toward literary minimalism emerging in the 1990s exemplified by 3 minute long “slam” poems, and the more recent, less sensational “flash fiction” movement represented by the F-Bomb series at the Mercury Café in Denver. But far from a one trick pony, Saroyan has tried any number of methodologies besides concrete poetry, including prose fiction and nonfiction. He has also worked as an essayist, playwright, educator, editor, and publisher over the course of his career.
His latest, Still Night in L.A., is a detective novel synthesizing the best bits of crimefic top dogs Chandler, Hammett, and MacDonald. 21st century L.A. detective Michael Shepard narrates his adventures in laconic first person interspersed with evocative black and white photos of Los Angeles taken by the author (except for the one on the cover of an L.A. highway sunset reflected in a car’s rear view mirror, by his son, Armenak Saroyan). One morning, Shepard is invited to the fashionable Hollywood apartment of an attractive women and hired to be her bloodhound. Within a few hours, the gumshoe finds himself centrally placed in a network of intrigues which promises the healing of a wound long left uncauterized. CONTINUED AT THE LINK BELOW:
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2 of 2 people found the following review helpful.
Detective Fiction
By cveditions
I’ve been reading detective fiction since I was a pre-teen when my mother handed me an Earl Stanley Gardner novel. I’ve been at it ever since.
Aram Saroyan’s Still Night in L.A. arrived a couple of days ago. First of all, as an old book publisher I had to admire the look and feel of the book. Great cover and well-made. That out of the way, I started reading and couldn’t put it down. So different from anything else I read. I loved the interior dialogues of the main character. I like to feel the drama of what a character thinks and feels. A perfect rainy day read.
1 of 1 people found the following review helpful.
Raymond Carver meets Raymond Chandler
By James V Jordan
I read and loved this book shortly after its publication. It's L.A. detective genre in a unique new skin. Michael Shepard, Saroyan's L.A. private eye struggles, with class and refreshing honesty, with personal problems we can all relate to while he's on the case, on the trail of his man. He's not only funny but flawed in ways we can identify with. But then my perspective of the novel changed after I went to a book reading by Saroyan at City Lights books. Saroyan explained that this slender treasure of a novel had once been eight or nine times longer. He cut it to the bone a la Raymond Carver and I was then able to understand and appreciate exquisite the narrative jewels that survived his sculpting. I read the book a second time, now aware the beauty of its structure. I couldn't recommend any other book more highly. James Jordan
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